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Born in 1977.

Conservatory at 6. Practises piano, and plays Schuman and Kurtag. Discovers electroacoustic and old synthesizers. Admires digital technology. Starts rock and discovers new instruments.

Diploma in musicology. Master 1 about Xenakis. Master 2 about François Bayle.

Goes back to conservatory with Francis Faber. DEM of composer.

Today, composer and performer. Works with la Grande Fabrique, on new musical fields and real time videos.
Interested in the new approaches between music, video and technology, and promotes a global access to numerical arts.

Composes for acoustic instruments and electronic (Asphalte, Oboe and tape, 2004, Reflections, Cello and electronic, 2007, Tombeau pour Mlle de Volanges, Bass and electronic, 2007, Second Life, Baritone Saxophone and Méta-Instrument, 2010...), for electroacoustic (Caverne, 2004, Cathédrale, 2006, Larynx Mécanique, 2009...), for movies (L'âme du temps, 2008, Elina Lowensohn's first movie)...

Plays laptop in multimedia performances (Line~, multimedia quintet (2007), Soundlight_1, multimedia trio), and in solo projects (n3rd/1, GRNX...)

Teaching skills too. With the Méta-Mallette, in art schools, university and specialized workshops.

Has played and/or worked with Francis Faber, Mathieu Constans, Rob Mazurek, Michele Tadini, Tom Mays, Proxima Centauri, Raphaël Godeau, Elina Lowensohn, les frères Kazamaroffs, Serge de Laubier, Nadine Beaulieu...

Thomas Collin
Multimedia Artist